Gods & Myths/digitised
Gods and Myths/index
Mediaeval and Later Literature
Magic and Science
Each section, as the following Index makes plain, divides up in its own way; some are arranged alphabetically, while others follow narrative sequences, and others are linked together by adjacent themes or concepts.
The photographs are kept in filing cabinets, and the main stock is placed in brown folders of three different sizes. The three orders of folders are placed one inside the other, corresponding to the subdivisions of a theme, as indicated, approximately, in the following Index. While the larger folders should never be removed from the drawers, the smallest ones can be taken out for consultation. Within them the photographs are in random order, and there is no division by date or (with rare exceptions) medium.
The photographs illustrating the "Census of Antique Art and Architecture Known to the Renaissance" are placed in blue folders within each relevant category. In this Index the headings of individual Census folders are not listed, since the Census as a whole has been computerised, and is available online (http://www.census.de/census/home/view?set_language=en)
The photographs are mounted, and information is provided on the back of the mounts. This is kept to the minimum, but wherever possible a reference is provided to a catalogue or article in which fuller information can be found.
Two characteristics are fundamental to the arrangement, and to the form of the headings. First, the users of the Institute are assumed to have an understanding of the subject on which they are undertaking research, and to be able to judge where best to look. Second, all users have direct access to the files, which means that as they open a drawer in a filing cabinet they can see at a glance the range of possibilities. If they fail to find what they need in one place, they can readily move to another, aided by the cross-reference card-index. Thus they can make a thorough search through categories which inevitably overlap, as for example in "The Virgin and Child".
The Index is intended to fulfil three purposes:
To help those working in the Collection to find their way about, and to locate particular subjects.
To provide suggestions for others designing an iconographic system.
To assist those who may be planning to visit the Institute to see the range covered by the Photographic Collection.
So far as time permits, the staff will attempt to advise, by letter, telephone or email, on the iconography of photographs sent by those who cannot themselves visit the Institute. It is not possible to list or enumerate the contents of folders, or to provide photocopies. Guidance can be given as to whether the holdings in a particular category are large enough to warrant a special visit.