Dr Paul Taylor
Curator, Photographic Collection
paul.taylor(at)sas.ac.uk
List of Publications
Books
Dutch Flower Painting 1600-1750, London (Dulwich Picture Gallery exh. cat.) 1996
Dutch Flower Painting, 1600-1720, New Haven and London (Yale University Press) 1995
(translated as Bloemstillevens in de Gouden Eeuw: 1600-1720, Zwolle (Waanders) 1995)
Published lecture
Vermeer, Lairesse and Composition, Hofstede de Groot-lezing, Rijksbureau voor Kunsthistorische Documentatie, Zwolle (Waanders) 2010
Edited books
Iconography without Texts, ed., London and Turin (Warburg Institute and Nino Aragno) 2008
The Iconography of Cylinder Seals, ed., London and Turin (Warburg Institute and Nino Aragno) 2006
Pictorial Composition from Medieval to Modern Art, ed. with François Quiviger, London and Turin (Warburg Institute and Nino Aragno) 2000
Articles, chapters in books, encyclopaedia entries
‘Henri Frankfort, Aby Warburg and "Mythopoeic Thought"', Journal of Art Historiography, 5, 2011 http://arthistoriography.files.wordpress.com/2011/12/taylor-mythopoeic.pdf
'Rembrandt’s Injustice of Piso’, Oud Holland, 124, 2011, pp. 112-118
‘Adriano Castellesi and the School of Athens’, in Mantova e il Rinascimento italiano: studi in onore di David S. Chambers, eds P. Jackson and G. Rebecchini, Mantua (Editoriale Sometti) 2011
‘Colouring Nakedness in Flanders and Holland’, in The Nude and the Norm in the Early Modern Low Countries, eds K. De Clippel, K. Van Cauteren and K. Van der Stighelen, Turnhout (Brepols) 2011
‘Images and Stories’, The Monist: an International Quarterly Journal of General Philosophical Inquiry, 93 (2010), pp. 370–383
‘Julius II and the Stanza della Segnatura’, Journal of the Warburg and Courtauld Institutes, lxxii (2009), pp. 103-41
‘Flatness in Dutch Art: Theory and Practice’, Oud Holland, 121 (2008), pp. 153-184
‘Introduction’ and ‘Moche Libation Bottles’ in Iconography without Texts, ed. P. Taylor, London and Turin (Warburg Institute and Nino Aragno) 2008
‘Introduction’ and ‘The Warburg Institute’s Photographic Collection and the Diversity of Mesopotamian Iconography’, in The Iconography of Cylinder Seals, ed. P. Taylor, London and Turin (Warburg Institute and Nino Aragno) 2006, pp. 9-18
‘William Gouw Ferguson’, ‘James Hamilton’, ‘Leendert Knijff’ , ‘Simon Luttichuys’, ‘Jean-Baptiste Monnoyer’, ‘Caspar Smits’, ‘Jan Frans van Son’, ‘Simon Verelst’ and ‘William Verelst’ in Oxford Dictionary of National Biography, Oxford (Oxford University Press) 2004
‘Michelangelo’s Mistakes in the Generation of Christ’, Journal of the Warburg and Courtauld Institutes, lxvii (2004), pp. 285-294
‘Boötes on the Farnesina Ceiling’, Journal of the Warburg and Courtauld Institutes, lxvii (2004), pp. 295-300
Review article of Karel van Mander, The Lives of the Illustrious Netherlandish and German Painters, edited by Hessel Miedema, 6 volumes, Doornspijk, 1994-1999, Oud Holland, 115 (2002), pp. 131-54
‘Composition in Dutch art theory’, in Pictorial Composition from Medieval to Modern Art, eds P. Taylor and F. Quiviger, London and Turin (Warburg Institute and Nino Aragno) 2000, pp. 146-71
‘Two new flower paintings by Gillis van Coninxloo III’, Oud Holland, 114 (2000), pp. 131-8
‘The Glow in late sixteenth and seventeenth-century Dutch paintings’, in Looking through paintings: the study of painting techniques and materials in support of art historical research, ed. E. Hermens , Leids Kunsthistorisch Jaarboek, XI (1998), pp. 159-75
(with Caroline van Eck) ‘Piero della Francesca’s Giants’, Journal of the Warburg and Courtauld Institutes, 60 (1997), pp. 243-7
‘Les fleurs et Dieu au XVIIe siècle’, in L’Empire de flore: histoire et représentation des fleurs en Europe du XVI e siècle au XIXe siècle, ed. S. van Sprang, Brussels 1996, pp. 250-60
(with Charles Hope) ‘Piero’s Flagellation and the Conventions of Painted Narrative’, in Piero della Francesca, ed. A. Uguccioni, Cultura e Scuola, XXXIV, 134 (1995), pp. 48-101
‘Darkness at noon: Rembrandts Nachtwacht’, Kunstschrift, 38/6 (1994), pp. 22-7
‘The Concept of Houding in Dutch Art Theory’, Journal of the Warburg and Courtauld Institutes, 55 (1992), pp. 210-32
Interviews
RKD Bulletin, 2010/1, pp. 4-7
Essential Vermeer website, 4 June 2010 http://www.essentialvermeer.com/interviews
Bibliography
‘Iconography/Iconology’, in ‘Renaissance and Reformation’, Oxford Bibliographies Online.
Publications in press
Edited book
E.H. Gombrich: Meditations on a Heritage, ed. P. Taylor, London (Paul Holberton Publishing)
Articles and chapters in books
‘Gombrich on Primitive Art’, in E.H. Gombrich: Meditations on a Heritage, ed. P. Taylor
‘Leonardo in the Low Countries’, in Lives of Leonardo, eds T. Frangenberg and R. Palmer
‘Zwierich van sprong: Samuel van Hoogstraten’s Night Watch’, in The universal art of Samuel van Hoogstraten (1627-1678), painter, writer and courtier, ed. T. Weststeijn
‘Italian Artistic Terms in Karel van Mander’s Schilder-boeck’, in Translating knowledge in the early modern Low Countries, eds H. Cook and S. Dupré
‘The Amateur from Vasari to Diderot, via Rembrandt’, in Artificii Occulti: Knowledge and Discernment in the Artistic and Scientific Cultures of Early Modern Europe¸eds C. Göttler and S. Dupré
‘Wit in Shang Art’, in Religion and Art in Ancient China, eds R. Whitfield and Wang T.