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 BIBLIOGRAPHY OF JENNIFER MONTAGU

(Excluding reviews)

  • 1954 ‘A Renaissance Work copied by Wedgwood’, Journal of the Warburg and Courtauld Institutes
  • 1958 ‘Charles Le Brun's Use of a Figure from Raphael’, Gazette des beaux– arts
  • 1961 ‘The "Institution of the Eucharist" by Charles Le Brun’, Journal of the Warburg and Courtauld Institutes
  • 1962 ‘Le Brun et Delacroix dans la Galerie d’Apollon’, Revue du Louvre
  • 1962 ‘Inventaire des tableaux, sculptures, estampes etc. de l’Institut et Musée Voltaire’, Studies on Voltaire and the 18th Century
  • 1962 ‘The Church Decorations of Nicodemus Tessin the Younger’, Konsthistorisk Tidskrift
  • 1962 ‘The Tapestries of Maincy and the Origins of the Gobelins’, Apollo
  • 1963 ‘The Unknown Charles Le Brun’, Master Drawings
  • 1963 ‘The Early Ceiling Decorations of Charles Le Brun’, Burlington Magazine
  • 1963 Catalogue of the exhibition Charles Le Brun, held at Versailles: section on the Drawings
  • 1963 Bronzes, Weidenfeld & Nicolson (publ. in America by Putnam); translated into French, German and Italian
  • 1964 ‘Le Brun animalier’, Art de France
  • 1965 ‘Thomas Blanchet: Some Drawings in the Nationalmuseum, Stockholm’, Gazette des beaux– arts, 6ème pér., vol. 66
  • 1966 Houdon (I Maestri della scultura), Fratelli Fabbri
  • 1966– 7 ‘A Flagellation Group: Algardi or du Quesnoy?’, Bulletin des Musées Royaux d’Art et d’Histoire, Bruxelles
  • 1967 ‘"Atalanta and Meleager": A Newly Discovered Painting by Le Brun’, Liverpool Bulletin, Walker Art Gallery
  • 1967 ‘Two Small Bronzes from the Studio of Bernini’, Burlington Magazine
  • 1968 ‘"The Descent from the Cross"’ by Charles Le Brun’, Victoria & Albert Museum Bulletin
  • 1968 ‘Some Lesser– Known Busts of Voltaire’, Connoisseur
  • 1968 ‘"Hercules and Iole" and Some Other Bronzes by Foggini’, Apollo
  • 1968 ‘The Painted Enigma and French Seventeenth Century Art’, Journal of the Warburg and Courtauld Institutes
  • 1970 ‘Alessandro Algardi’s Altar of S. Nicola da Tolentino, and Some Related Models’, Burlington Magazine
  • 1970 ‘Antonio and Gioseppe Giorgetti: Sculptors to Cardinal Francesco Barberini’ Art Bulletin
  • 1971 ‘Un dono del Cardinale Francesco Barberini al Re di Spagna’, Arte illustrata
  • 1971 ‘Exhortatio ad Virtutem’, Journal of the Warburg and Courtauld Institutes
  • 1972 ‘Le ‘Baptême du Christ’ d’Alessandro Algardi’, Revue de l’art
  • 1973 ‘A Bozzetto in Bronze by Ciro Ferri’, Jahrbuch der Hamburger Kunstsammlungen
  • 1973 ‘Il primo rilievo in marmo del Foggini’, Arte illustrata
  • 1974 ‘Massimiliano Soldani’s Bust of Enea Caprara’, Apollo
  • 1974 ‘Some Small Sculptures by Giuseppe Piamontini’, Antichit… viva
  • 1974 ‘Some Small Bronzes of the Florentine Baroque’, The Antique Collector
  • 1974 ‘Massimiliano Soldani’s "Venus Plucking the Wings of Cupid"’, Bulletin of the National Gallery of Canada
  • 1974 Catalogue of the exhibition The Twilight of the Medici, held in Detroit and Florence: introduction to the Sculpture section; entries on Sculpture and Porcelain
  • 1975 ‘Antonio Montauti’s "Return of the Prodigal Son"’, Bulletin of the Detroit Institute of Arts
  • 1975 ‘Camillo Rusconis Büste der Giulia Albani degli Abati Olivieri’, Jahrbuch der Kunsthistorischen Sammlung in Wien
  • 1976 ‘Charles Le Brun and his Sculptors: A Reconsideration in the Light of Some Newly Identified Drawings’, Burlington Magazine
  • 1976 ‘The Bronze Groups Made for the Electress Palatine’, in Kunst der Barock in der Toskana
  • 1977 ‘Alessandro Algardi and the Statue of St. Philip Neri’, Jahrbuch der Hamburger Kunstsammlungen
  • 1977 ‘Alessandro Algardi and the "Borghese Table"’, Antologia di belle arte
  • 1978 ‘Bellori, Maratti and the Palazzo Altieri’, Journal of the Warburg and Courtauld Institutes
  • 1980 ‘La Donation Baderou au Musée de Rouen: Oeuvres de Charles Le Brun’. Etudes de la revue du Louvre et des Musées de France
  • 1980 ‘Algardi, Gentile and Innocent X: A Rediscovered Painting and its Frame’, Burlington Magazine (with John Gash)
  • 1981 ‘Pour une clientèle princière’, Connaissance des arts
  • 1982 ‘A Model by Francesco Mochi for the "Saint Veronica"’, Burlington Magazine
  • 1983 ‘Vel zquez Marginalia: his slave Juan de Pareja and his illegitimate son Antonio’, Burlington Magazine
  • 1983 ‘Alessandro Algardi’s ‘Saint Peter’ and ‘Saint Paul’ and the Patronage of the Franzoni Family’, Bulletin of the Detroit Institute of Arts
  • 1984 ‘Canini Versus Maratti: Two Versions of a Frontispiece’, Metropolitan Museum Journal (1983)
  • 1985 ‘The Graphic Work of Melchior Caf…’, Paragone (Arte) (1985)
  • 1985 Alessandro Algardi, Yale University Press (Awarded a Special Mitchell Prize for the History of Art)
  • 1985 ‘Bernini Scuptures not by Bernini’, in Gianlorenzo Bernini: New Aspects of his Art and Thought, Pennsylvania Sate University Press
  • 1986 ‘Algardi le rival du Bernin’, Connaissance des arts
  • 1986 ‘Disegni, Bozzetti, Legnetti and Modelli in Roman Seicento Sculpture’, in Entwurf und Ausführung in der europäischen Barockplastik, Bayerisches Nationalmuseum, Munich
  • 1986 ‘Quand un musée s’expose’, Connaissance des arts
  • 1986 ‘"Medals" in Roman Baroque Sculpture’, The Medal
  • 1986 ‘Architects and Sculptors in Baroque Rome’ in Bollettino del Centro Internazionale di Studi di Architettura Andrea Palladio, (1981): ‘Andrea Palladio e l’architettura italiana del Seicento’
  • 1986 ‘The "Ruland / Raphael Collection"’, Visual Resources (reprinted in Art History through the Camera’s Lens, ed. Helene E. Roberts, 1995)
  • 1987 ‘The Master of the Corsini ‘Cleobis and Biton’ – The Young Thomas Blanchet?’ Bulletin de la Société de l’Histoire de l’Art Français
  • 1988 Summary Guide to the Photograph Collection of the Warburg Institute, Warburg Institute
  • 1989 Index of Emblems of Italian Academies, Warburg Institute
  • 1989 Roman Baroque Sculpture: The Industry of Art, Yale University Press
  • 1989 ‘The Influence of the Baroque on Classical Antiquity’, in Antikenrezeption im Hochbarock, ed. H. Beck and S. Schulze, Frankfurt am Main
  • 1989 ‘Ciro Ferri’s Ciborium in Santa Maria in Vallicella’, Source
  • 1990 ‘Edward Altham as a Hermit’, in England and the Continental Renaissance: Essays in Honour of J. B. Trapp, ed. E. Chaney and P. Mack, Boydell & Brewer
  • 1991 ‘Mattia Preti in S. Andrea della Valle: an unfulfilled contract’, Burlington Magazine
  • 1992 ‘Two Paintings by Tiarini for Cardinal Ubaldini’, in Il Luogo e il ruolo della citt… di Bologna tra Europa continentale e mediterranea. Atti del Colloquio C.I.H.A. 1990, Bologna
  • 1992 ‘Le Brun’s Early Designs for the Grande Galerie: Some Comments on the Drawings’, Gazette des beaux– arts, 6ème p‚r., vol. 120
  • 1992 ‘Les oeuvres de jeunesse de Charles Le Brun: l’influence de Simon Vouet et d’autres’, Simon Vouet; Actes du colloque international (1991) (Rencontres de l’école du Louvre), Paris, 1992
  • 1992 ‘The Theory of the Musical Modes in the Académie Royale de Peinture et de Sculpture’, Journal of the Warburg and Courtauld Institutes, LV
  • 1993 Catalogue of the exhibition The Age of the Baroque in Portugal, ed. Jay Levinson, Washington, National Gallery of Art: an introductory essay and a catalogue entry
  • 1993 ‘Giovanni Battista Maini’s Role in Two Sculptural Projects: The Evidence of the Drawings’, Master Drawings, vol XXXI, no. 4
  • 1994 ‘The Frame of the "Volto Santo"’, Bollettino dei Musei e Gallerie Pontificie, XIII, 1993
  • 1994 ‘Interpretations of Timanthes’s "Sacrifice of Iphigenia"’, in Sight and Insight. Essays on art and culture in honour of E. H. Gombrich at 85, London, Phaidon Press
  • 1994 The Expression of the Passions: The Origin and Influence of Charles Le Brun’s "Conférence sur l’expression générale et particulière", Yale University Press
  • 1994 ‘Antonio Raggi in S. Maria della Pace’, Burlington Magazine
  • 1995 Catalogue Giovanni V di Portogallo (1707– 1750) e la cultura romana del suo tempo, ed. S. Vasco Rocca and G. Borghini, Rome: an introductory essay, 19 catalogue entries
  • 1995 ‘The Roman Fortune of a Relief by Foggini’, Antologia di belle arti. La Scultura: Sudi in onore di Andrew S. Ciechanowiecki, N.S. 48– 51
  • 1996 Gold, Silver and Bronze: Metal Sculpture of the Roman Baroque, Yale University Press / Princeton University Press
  • 1996 ‘The Quarrel of Drawing and Colour in the French Academy’, in Ars naturam adiuvans. Festschrift für Matthias Winner
  • 1996 ‘The Scholarly Importance of the Weale Album’, Colóquio Artes, 109
  • 1996 ‘Tradition of Expression in Art’, in Rings: Five Passions in World Art (exhibition catalogue, High Museum of Art, Atlanta)
  • 1996 ‘Roman Bronzes around 1600', in V. Krahn (ed.) Von allen Seiten schön. Rückblick auf Ausstellung und Kolloquium, I, Dokumentation zu Ausstellung und Kolloquium
  • 1996 ‘Alcune statue che non furono mai eseguite’, in San Pietro: Arte e storia nella Basilica Vaticana, ed. G. Rocchi Coopmans de Yoldi, Bergamo
  • 1997 ‘La scultura cortonesca’, and 7 catalogue entries (one in collaboration), in A. Lo Bianco (ed.) Pietro da Cortona 1597– 1669 (exhibition catalogue, Palazzo Venezia)
  • 1997 ‘The Santacroce Tombs in S. Maria in Publicolis, Rome’, Burlington Magazine, CXXXIX
  • 1998 ‘Claudio Ridolfi in the Cloister of S. Onofrio’, in Claudio Ridolfi. Un pittore veneto nelle Marche del Seicento; Atti del Convegno di Corinaldo (24 settembre 1994), ed. C. Costanzi, F. Mariano, M. Massa, Corinaldo
  • 1998 ‘"Ut Poesis Pictura?" Dido and the Artists’, in A Woman Scorn’d: Responses to the Dido Myth, ed Michael Burden, London
  • 1998 ‘A Fountain by Gianlorenzo Bernini and Ercole Ferrata in Portugal’ (with A. Delaforce, P. Varela Gomes and M. Soromenho), Burlington Magazine, CXL
  • 1999 Catalogue of the exhibition Algardi L’altra faccia del barocco, Rome, Palazzo delle Esposizioni: edited catalogue, 3 introductory essays, many catalogue entries. Also separately published Guida alla mostra
  • 1999 ‘A mysterious masterpiece. A bust by Algardi at Kingston Lacy’, Apollo, CXLIX, no. 446 (New Series), April
  • 1999 ‘The Fogg Silence: A Bozzetto by Melchiorre Caf…’, Harvard University Art Museums Bulletin, VI, 3
  • 1999 ‘Alessandro Algardi in Malta’, Treasures of Malta, V, 3
  • 1999 ‘The Subject of a Bronze Relief’, in Razprave is europske umetnosti, ed. Barbara Jaki, Ljubljana
  • 1999 Co– edited (with Joseph Connors) Rudolf Wittkower, Art and Architecture in Italy 1600– 1750, 6th ed., Yale University Press
  • 2000 Preface to Lydia Beauvais, Musée du Louvre, D‚partement des Arts Graphiques, Inventaire g‚n‚ral des dessins, école française: Charles Le Brun (1619– 1690)
  • 2000 ‘The practice of Roman baroque silver sculpture’, Silver Society Journal, 12

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