Professor Bill Sherman earned his BA from Columbia University and his MPhil and PhD from Cambridge. He was founding director of the interdisciplinary Centre for Renaissance and Early Modern Studies at the University of York, and he moved to the Warburg from the Victoria and Albert Museum, where he served as Director of Research and Collections and head of the V&A Research Institute (VARI). Bill has held visiting positions at Caltech, Keio University and Queen Mary University of London and fellowships from the Folger, Huntington and New York Public Library. He sits on many editorial and advisory boards: he was associated editor of Shakespeare Quarterly for more than a decade and is currently Series Editor (with Ian Maclean) of Oxford-Warburg Studies and a member of the Advisory Boards for the Huntington Library Quarterly and British Art Studies. Additionally, he was one of the judges of the Art Fund’s Museum of the Year prize for 2019.
Bill Sherman's research has been driven by a love of archives and other collections, and by an interest in how objects from the past come down to us and speak across time and space. Trained in literary criticism, textual studies and the theory and practice of editing, and drawn from his undergraduate years to textual representations of travel and magic, he has edited several major plays from the Renaissance period, including Shakespeare’s The Tempest and Jonson’s The Alchemist.
He is best known for his work on the history of books and readers, particularly his pioneering work on marginalia and the history of libraries. That work began with his PhD dissertation on John Dee’s reading practices and culminated in a popular overview of the field called Used Books (2008), which recovered a culture in which writing in books was not only tolerated but taught, and in which annotations and other readerly interventions were tools for making books memorable, beautiful and/or useful. It also pointed the way to his current book project on The Reader's Eye, which explores the relationship between annotation and illustration.
Much of Bill's current research explores the interface between word and image, the relationship between knowledge and power and the surprising connections between the modern and the early modern. He is finishing a collaborative reconstruction of the art- and book-collections of Walter and Louise Arensberg who, in the first half of the 20th Century, assembled one of the most important private collections of art in the United States (including most of the surviving work by Marcel Duchamp), as well as the world’s largest private library of works by and about Sir Francis Bacon. His long-term scholarly work focuses on the history of cryptography, connecting the Renaissance science of ciphers with its modern legacies in everything from textual bibliography to the advent of digital computers.
Bill contributes to postgraduate teaching on the History of the Book and the Techniques of Scholarship. He also supervises MA and PhD dissertations related to his areas of interest and expertise.
At the Warburg:
- Merlin Cox (second supervisor)
- Margherita Clavarino (second supervisor)
- Liam Byrne, collaborative PhD between the V&A and the Guildhall School of Music (second supervisor)
Selected Books, Anthologies and Editions
Renaissance Collage: A New History of Reading, edited with Juliet Fleming and Adam Smyth as issue 45:3 of the Journal of Medieval and Early Modern Studies (Fall 2015)
Ben Jonson’s The Alchemist (with Peter Holland), in The Cambridge Edition of the Works of Ben Jonson (Cambridge: Cambridge University Press, 2012)
Prison Writings in Early Modern England, edited with William J. Sheils as issue 72:2 of the Huntington Library Quarterly (June, 2009)
Used Books: Marking Readers in the English Renaissance (Philadelphia: University of Pennsylvania Press, 2008)
William Shakespeare’s The Tempest (with Peter Hulme), a Norton Critical Edition (New York: Norton, 2004; 2nd ed. in press)
The Tempest and its Travels, edited with Peter Hulme (London: Reaktion Books, and Philadelphia: University of Pennsylvania Press, 2000)
John Dee: The Politics of Reading and Writing in the English Renaissance (Amherst: University of Massachusetts Press, 1995)
Selected Articles and Chapters in Books
‘In the Margins of Josephus: Two Ways of Reading,’ with Anthony Grafton, in Joanna Weinberg and Martin Goodman (eds.), The Early Modern Reception of Josephus, a special issue of the International Journal of the Classical Traditions (2017)
'A New World of Books: Hernando Colón and the Biblioteca Colombina,’ in Ann Blair and Anja Goeing (eds.), For the Sake of Learning: Essays in Honor of Anthony Grafton, 2 vols. (Leiden: Brill, 2016)
‘The History of Cryptography,’ in Ray Clemens (ed.), The Voynich Manuscript (New Haven: Yale University Press, 2016)
‘Early Modern Punctuation and Modern Editions: Shakespeare’s Serial Colon,’ in Zachary Lesser, Heidi Brayman Hackel and Jesse Lander (eds.), The Book in History, The Book as History(New Haven: Beinecke Rare Book & Manuscript Library, 2016)
‘“Nota Bembe”: How Bembo the Elder Read his Pliny the Younger,’ in Guido Beltramini, Howard Burns and Davide Gasparotto (eds.), Pietro Bembo e le Arti (Venezia: Marsilio Editore, 2013)
‘How To Make Anything Signify Anything,’ Cabinet 40 (January 2011), 32-38 [Spanish version published in Revista de Occidente (July 2012)]
‘The Social Life of Books,’ in Joad Raymond (ed.), The Oxford History of Popular Print Culture, Vol. I: Beginnings to 1660 (Oxford: Oxford University Press, 2011)
‘The Beginning of “The End”: Terminal Paratext and the Birth of Print Culture,’ in Helen Smith and Louise Wilson (eds.), Renaissance Paratexts (Cambridge: Cambridge University Press, 2011)
‘Of Anagrammatology,’ English Language Notes 47:2 (Fall/Winter 2009), 139-48
‘Digging the Dust: Renaissance Archivology,’ in Leonard Barkan, Bradin Cormack, and Sean Keilen (eds.), Forms of Renaissance Thought: New Essays on Literature and Culture(Basingstoke: Palgrave Macmillan, 2009)
‘Patents and Prisons: Simon Sturtevant and the Death of the Renaissance Inventor,’ in William Sherman and William Sheils (eds.), Prison Writings in Early Modern England, a special issue of the Huntington Library Quarterly 72:2 (June 2009), 239-56
‘On the Threshold: Architecture, Paratext, and Early Print Culture,’ in Sabrina A. Baron, Eric Lindquist, and Eleanor Shevlin (eds.), Agent of Change: Print Culture Studies and the Legacy of Eisenstein (Amherst: University of Massachusetts Press, 2007), 67-81
‘Distant Relations: Letters from America, 1492-1677,’ in Cultural Studies in the History of Letter-Writing, a special issue of the Huntington Library Quarterly 66:3-4 (Winter 2003), 225-45
'Une bibliothèque de tous les savoirs,’ Les Cahiers de Science & Vie 61 (February 2001), 90-95
'London’s Warburg Institute launches £14.5m expansion to revive the 'science of culture'', The Art Newspaper, 24 April 2019
'Bill Sherman: "El Renacimiento fue moderno porque recuperó lo antiguo"', La Nacion, 8 April 2019
‘Mysterious Marginalia,’ Front Row, BBC Radio 4, 18 May 2018
Alain Elkann Interviews, November 5 2017
‘First Folio Road Trip,’ presented by Emma Smith, BBC Radio 3, 24 July 2017
‘Marginalia,’ presented by Simon Armitage, BBC Radio 4, 16 June 2014
‘The Century That Wrote Itself,’ presented by Adam Nicolson, BBC Four, 10 April 2013
‘A Marginal History,’ presented by Justin Champion, BBC Radio 3, 14 January 2011
Author and Presenter, ‘Scholars and Spies,’ Document, BBC Radio 4, 30 July 1998