The Journal is intended as an interdisciplinary forum, uniting scholars specialising in cultural history including the history of art, and intellectual history including the history of ideas. It publishes articles based on new research, normally from primary sources.
The subject matter encompasses intellectual themes and traditions, the arts in their various forms, religion, philosophy, science, literature and magic, as well as political and social life, from antiquity to the dawn of the contemporary era. Typically the subjects discussed either centre on or have some connection with Western, usually European cultures; therefore, too, the Journal provides a home for research into the many interconnections between those cultures and others which have flourished beyond European borders - particularly, but by no means limited to, the cultures and learning of the Near East.
Founded in 1937 as one of the first publishing projects of the Warburg Institute following its arrival in London, the Journal of the Warburg Institute became the Journal of the Warburg and Courtauld Institutes two years later and has flourished as a collaborative enterprise since that time. Still produced in-house at the Warburg, the Journal relies on Editorial and Advisory Board members drawn from both the Warburg Institute and the Courtauld Institute of Art, and on our two institutions’ extensive scholarly libraries, research facilities and international links and networks.