Warburg Institute Colloquia, vol. 30, Ernst Kitzinger and the Making of Medieval Art History, ed. Felicity Harley-McGowan and Henry Maguire (2017)
Table of Contents
Preface (pp. ix–x)
Introduction (pp. xi–xiv)
Foreword: Some Personal Memories of Ernst Kitzinger (pp. xv–xx)
by Hans Belting
I. Biography
A Scholar in his Study: Memories of Ernst Kitzinger at Work (pp. 3–13)
by Rachel Kitzinger
Ernst in England (pp. 14–37)
by John Mitchell
From London to the Antipodes: The Peregrinations of Ernst Kitzinger, and the Age of ‘Transformation’ (pp. 39–66)
by Felicity Harley-McGowan
‘Cordially, E.K.’: Ernst Kitzinger and Teaching at Dumbarton Oaks (pp. 67–90)
by Rebecca Corrie
Ernst Kitzinger’s Teaching at Harvard: A Style of Teaching, Teaching Style (pp. 91–101)
by Eunice Dauterman Maguire
II. Methods of Scholarship
Ernst Kitzinger and Style (pp. 105–111)
by Henry Maguire
Ernst Kitzinger’s Contribution to Scholarship on the Art of Western Europe (pp. 113–125)
by Lawrence Nees
Ernst Kitzinger’s Contribution to the Study of Norman Mosaics in Sicily (pp. 127–142)
by Beat Brenk
Ernst Kitzinger and the Invention of Byzantine Iconoclasm (pp. 143–152)
by Leslie Brubaker
Appendix. A Memo written by Ernst Kitzinger in June 1941, on his way from Australia to England on board the ‘Themistocles’ (pp. 153–157)
transcribed by Tony Kitzinger
Index of Names