This annual lecture series is organised by the international research project Bilderfahrzeuge: Aby Warburg’s Legacy and the Future of Iconology.
The term “pattern recognition” owes its ubiquity across a wide range of sciences to advances in fields like computer programming, statistics and cybernetics after the Second World War. Yet the basic process of ordering raw data or visual images into identifiable structures has existed for much longer, also within traditionally humanistic contexts. Aby Warburg’s multidirectional and nonlinear science of images (Bildwissenschaft) began with the research of patterns and ‘pathos formulas’ in the historical record of European and Near Eastern art. Today, as our interactions with images are increasingly shaped by nonhuman intelligences, the practice of visual pattern recognition offers new ways of historicizing the changing relationships between psychology and technology, intuition and automation, cognition and control.
This lecture series explores how pattern recognition has functioned and continues to function as a distinct modality of image-based knowledge production, from the study of global ornaments in the nineteenth century to digital surveillance and profiling in the twenty-first.